Listening room

• Turntables:             Technics SL1200G,  VPI TNT-1 (VPI updates)/Grace G-1040 arm
• Cartridges:             Ortofon MC X40, Ortofon 2M LVB250
• Network switch:     Vinshine/LHY SW-10 Pro
• Server:                   Grimm Audio MU1 Roon/Qobuz (separate AES outputs to Makua and headphone setup)
• Pre/Phono/DAC:     Mola Mola Makua preamp with internal phono stage and DAC options fitted              
• Speakers:               ATC SCM100 Active Super Linear Tower - Townshend Seismic Podiums
• Subwoofers:           2 x Perlisten R212S
  
• Interconnects:       DIY, Canare L-4E6S star quad for balanced analog connections, Canare DA206 for AES digital connections
• HP system:             Grimm Audio MU1 > Topping D70 Pro Sabre dac > Benchmark HPA4 amp
• Headphones:           Focal Utopia (OG, 2016), Sennheiser HD-600
  
• Utopia HP cable:     DIY, Kimber TCSS custom braid
  
• AC power:               Audience aR2p-TO power conditioner, VH Audio Hotbox AC distribution box, Furutech receptacles - refer to power setup
• AC power cords:     DIY, Chris VenHaus 'Flavor 1/2/3' - refer to power setup

Ownership Chronology

Setup Info 

Mola Mola Makua preamp with phono stage and DAC

Mola Mola Makua, Vinshine SW-10 Pro, Grimm MU1

Technics 1200G, Funk Achromat, Yamamoto headshell with Ortofon 2M LVB250

VPI TNT with Grace G-1040 arm

ATC SCM100ASLT with Townshend Seismic Podium sprung platform

Perlisten R212S Subwoofer

Vicoustic DC2 diffusers on ceiling and back wall

 Previous long wall speaker placement - sonically compromised, but better use of space.